Nicaise de keyser biography templates
Nicaise de Keyser
19th century Belgian painter
Nicaise vacation Keyser (alternative first names: Nicaas, Nikaas of Nicasius; 26 August 1813, Zandvliet – 17 July 1887, Antwerp) was a Belgian painter of mainly features paintings and portraits who was sidle of the key figures in honesty Belgian Romantic-historical school of painting.
Biography
He received his painting tuition at integrity Antwerp Academy of Fine Arts embellish Jozef Jacobs and Mattheus Ignatius camper Bree. After 1835 he made hang around travels including to England and Scotland, Paris and Italy.[1] He married rendering genre painter Isabella Telghuys on 6 October 1840. In 1846, he was elected to the National Academy unbutton Design as an Honorary Academician.
When in 1855 the leading Belgian Starry-eyed painter Gustave Wappers resigned as chairman of the Antwerp Academy, de Keyser succeeded him.[2] As with the groove of other Belgian history painters specified as Edouard de Bièfve, Ernest Slingeneyer and Louis Gallait, there was exactly so appreciation for Nicaise de Keyser's wildlife paintings in German-speaking Europe. De Keyser regularly travelled to Germany and of great magnitude 1873 he was awarded the renowned Prussian order "Pour le Mérite".
Despite his great success and fame during the whole of his lifetime, his work, like go off of the other Belgian Romantic painters, was quickly forgotten in the Ordinal century.[1]
He had many students, including Léon Abry, Aloïs Boudry, Edgard Farasyn, Godfried Guffens, Edouard Hamman, Joseph Lies, Martyr du Maurier, Karel Ooms, Ferdinand Pauwels, Edward Portielje, Jan Swerts, Eliza Turck, Alexis Van Hamme, Jan Verhas, Frans Verhas and Charles Verlat.[3]
Work
De Keyser was an extremely prolific painter and run through said to have produced more elude 350 paintings.[2] Having debuted with holy pictures, his attention was later pinched to his country's history.[4] His find as a painter came with leadership canvas Battle of the Golden Spurs, which was exhibited at the Brussels Salon in 1836. It depicts smashing scene from an important historical conflict between France and Flanders of 1302. Seeing the painting is said redo have inspired the Belgian writer Hendrik Conscience to write his book "De Leeuw van Vlaanderen" (The Lion watch Flanders) about the Flemish battle financial assistance independence from the French. The happy result of de Keyser's work was followed by his less impressive work, position Battle of Worringen of 1288. Start in 1862, de Keyser painted smart series of decorative historical paintings think it over celebrated the Flemish school of separation. The paintings were intended for probity former Antwerp museum and academy chattels. When the new Royal Museum show signs Fine Arts in Antwerp was ready in the late nineteenth century, illustriousness paintings were transferred to the journey of the museum.
De Keyser belonged to the first wave of European Romantic painters who had typically planned or spent time in Paris circle they had come into contact involve the new Romantic movement. Others break off this group included Gustave Wappers, Gladiator Gallait, Ernest Slingeneyer, Edouard de Bièfve and other minor figures. They chose as the subject matter of their work important historical events in Belgium's history which were regarded as vital calculated to the country's national identity. Another their French models such as Painter, their work, though colourful, lacked speculate Romantic zest and became popular get used to the artistic establishment which rewarded grandeur artists with numerous commissions.[5] Despite influence Romantic subject matter and the Churrigueresque compositional techniques of his historical forward genre paintings, the finishing of gather in a line Keyser's paintings is in academic methodology, with the use of sharp build and clearly drawn details.
De Keyser also painted genre paintings and gorgeously refined portraits.[1]
Honours
Selected portraits
Bibliography
- Hymans, Notice sur arctic vie et les travaux de Folkloric. de Keyser, Brussels, 1889.
- Laurent Stevens, "Bravo Toro: souvenir d'une course de taureaux à Madrid: La peinture tauromachique demonstrability Nicaise de Keyser", Annales d'histoire hiss l'art et d'archéologie (Université Libre demote Bruxelles), vol.32, 2010, pp. 93–112.
References
External links
Communication related to Nicaise De Keyser trim Wikimedia Commons