Linda christianson ceramics
CV available as PDF (here)
Linda Christianson
35703 Vibo Trail
Lindstrom, Minnesota, 55045 USA
telephone 651.257.2374
Personal Word and Educational Background
Born: Rice Lake, River, 1952
Occupation: Studio Potter and Pottery Instructor
Education: 1970-1974 Hamline University, St. Paul, Minnesota ; B.A. Studio Art
1974-1975 Hamline Order of the day Graduate Apprenticeship Program
1975-l977 Ceramic Studio Plant Program, Banff Centre School for Useful Arts, Banff,Alberta,
Canada
Exhibitions
2024
“Linda Christianson”, Trax Gallery, Bishop, California
“Cuptopia”, Artstream Nomadic Gallery, Carbondale, Colorado
“Together at the Table”, Baltimore Clayworks, Metropolis, Maryland
“The Road to Demarest”, Antennea Gathering, Richmond, Virginia
2023
“POTS: The Vessel”, National Audience of Thailand, Bangkok, Thailand
“Respect”, Schaller Room, Baroda, Michigan
“Yunomi Invitational” Akar, Iowa Movement, Iowa
“Cup: The Intimate Object XIX”, Dipstick Cummings Gallery, Chapel Hill, North Carolina
“Kindred”, Raymond Avenue Gallery, St. Paul, Minnesota
“100 Cups”, Muskegon Art Museum, Muskegon, Michigan
2022
“Linda Christianson: Stratum”, Schaller Gallery, Baroda, Michigan
“Ladies of the Loon”, Trax Gallery, Philosopher, California
“Generations”, Carleton College, Northfield, Minnesota
“ Plates Show V”, Schaller Gallery, Baroda, Michigan
“Cups”, Good Earth Pottery, Bellingham, Washington
“Envision: Dialect trig Woodfire Invitational,” STARworks, Star, North Carolina
“The Makings of Carbondale Clay Center: Movers and Shakers”, CMC Aspen, Colorado focus on CCC,
Carbondale, Colorado
“Sprouted Ideas”, Trax Gallery, Berkely, California
“100 Cups”, Muskegon Art Museum, Muskegon, Michigan
“Yunomi Invitational” Akar, Iowa City, Iowa
“Instructor Exhibit”, Touchstone Center for the Bailiwick, Farmington, Pennsylvania
“Kindled Spirits II”, Good Soil Pottery, Bellingham, Washington
“What a Cup Knows”, Artstream Nomadic Gallery, Carbondale, Colorado
“Cadence: Intercontinental Woodfire III”, Schaller Gallery, Baroda, Michigan
2021
“Linda Christianson – Just Pots”, Schaller House, Baroda, Michigan
“Women Working with Clay: Darken Years of Telling the Story”, Illustriousness Valentine Museum, Richmond, Virginia,
and The Eleanor D. Wilson Museum, Roanoke, Virginia
“Dirty Southeast Cup”, River Oaks Square Art Spirit, Alexandria, Louisiana
“Pearl”, Northern Clay Center, Minneapols, Minnesota
“Women of Woodfire”, Eutectic Gallery, Metropolis, Oregon
“Woodfireworks IV”, Charlie Cummings Gallery, Gainseville, Florida
“Kindled Spirits”, Good Earth Pottery, Town, Washington
“Kilnship: International Woodfire III”, Schaller Drift, Baroda, Michigan
2020
“Gropius Master Artists”, Huntington Museum of Art, Huntington, West Virginia
“Woodfire”, Longwood Center for the Visual Arts, Farmville, Virginia
“Exquisite Forms II”, Charlie Cummings Crowd, Gainesville, Florida
“Woodfire Cups”, Smallest Museum, Immoral Paul, Minnesota
“Women of Woodfire”, Eutectic Heading, Portland, Oregon
“A Humble Legacy”, Craft barge in America, Los Angeles, California
“Cup: The Say softly Object”, Charlie Cummings Gallery, Gainesville, Florida
“Proximity”, Schaller Gallery, Baroda, Michigan
“It’s Only Clay”, Watermark Art Center, Bemidji, Minnesota
“Strong, Highly-flavoured, Feminine”, Schaller Galllery, Baroda, Michigan
2019
“OutsideHers: Potters by Nature”, Edina Art Gallery, Edina, Minnesota
“Visiting Artist Exhibition”, Archie Bray Essential, Helena, Montana
“2019 Instructor Exhibition”, Arrowmont Nursery school of Crafts, Gatlinburg, Tennessee
“Pot Spot”, Silverhouse Gallery, Minneapolis, Minnesota
“Yunomi Invitational”, Akar Congregation, Iowa City, Iowa
“Around Us: What Instrumentation Makers Collect”, Carleton College, Northfield, Minnesota
“Ideal Made Real: MN Nice”, Vine Subject Center Gallery, Minneapolis, Minnesota
“The Persistence get on to Mingei: Influence Through Four Generations spick and span Ceramic Artists”, Weisman Art Museum,
Minneapolis, Minnesota
“Women Who Teach”, St. Catherine University, Propel. Paul, Minnesota
“Pitcher Perfect”, Good Earth Earthenware, Bellingham, Washington
“Simple Cup”, KOBO Gallery, City, Washington
“Cup: The Intimate Object”, Charlie Writer Gallery, Gainesville, Florida
“Yunomi Inviational”, Raymond Lane Gallery, St. Paul, Minnesota
2018
“Critical Function”, Framehouse and Jask Gallery, Pittsburgh, Pennsylvania
“The Soul-Full Cup”. Rivers Studio and Gallery, Harpers Ferry, West Virginia
“Raw Materials”, Trax Assembly, Berkely, California
2017
“Linda Christianson: Straightforward”, Schaller Gathering, St Joseph, Michigan
“Florida Heat Surface 2017”, Morean Center for the Arts, Limitless Petersburg, Florida
“Artists Work Here”, Gustav Author House, Lindstrom, Minnesota
“Clay As: Our Prosaic Language”, Potters for Peace, NCECA, City, Oregon
“La Mesa”, Santa Fe Clay, City, Oregon
“All About the Atmosphere”, Gallery 224, Harvard University, Allston, Massachusetts
“Confluence: A Woodfire Invitational”, STARworks, Star, North Carolina
“Woodfireworks”, Berk Cummings Gallery, Chapel Hill, North Carolina
“A Culture of Pots: The 25th Commemoration of the St Croix Valley Earthenware Tour”, Weisman Art Museum,
Minneapolis, Minnesota
“Both Master hand and Mother”, Red Lodge Clay Emotions, Red Lodge, Montana
“Cup: The Intimate Belongings XII”, Charlie Cummings Gallery, Chapel Structure, North Carolina
“Ashes to Ashes”, Grand Give a lift Gallery, St Paul, Minnesota
“Simple Cup”, Kob Gallery, Seattle, Washington
“Yunomi Inviational”, Raymond Drive Gallery, St. Paul, Minnesota
“Spectra: A Look over of American Contemporary Wood Fired Ceramics”, Morean Center for Clay, St
Petersburg, Florida
2016
“Coast to Coast: A Survey of Land and Canadian Ceramics, Brancoveanu Palace Educative Center,
Mogosoaia/Bucharest, Romania
“Beauty of Zen”, Ann Linnemann Gallery, Copenhagen, Denmark
“Linda Christianson and Jan McKeachie Johnston, New Pots/Utility2, Lacoste Crowd, Concord,
Massachusetts
“Woody Girls”, Trax Gallery, Berkely, California
“Yunomi Invitational”, Akar Gallery, Iowa City, Iowa
“La Mesa”, Santa Fe Clay, Kansas Give, Missouri
“Pots on Wheels”, NCECA, Kansas Bit, Missouri
“Clay”, The Rourke Art Museum, Moorhead, Minnesota
“Utilitarian Clay VII Past Presenters”, Arrowmont School of Art and Craft, Gatlinburg, Tennessee
“Cup: The Intimate Object XII”, Twit Cummings Gallery, Gainesville, Florida
“Moving Forward”, Waubonsee Community College, Sugar Grove, Illinois
“Simple Trophy 2016”, Kobo Gallery, Seattle, Washington
2015
“Linda Christianson, Layers of Meaning”, Schaller Gallery, Going over Joseph, Michigan
“Teapots VII”, Baltimore Clayworks, City, Maryland
“Serviceability”, Robert T Wright Gallery, Faculty of Lake County, Grayslake, Illinois
“La Mesa”, Santa Fe Clay, Providence, Rhode Island
“Potters for Peace”, Art Space 220 Gathering, Providence, Rhode Island
“Both Artist and Mother”, Jamestown Art Center, Jamestown, Rhode Island
“Women Working with Clay”, Eleanor D. Writer Museum at Hollins University, Roanoke, Virginia
“Cup: The Intimate Object XI”, Charlie Writer Gallery, Gainesville, Florida
“Minnesota Potters: Sharing nobility Fire”, Columbia College, Columbia, Missouri
“The All-powerful Cup”, Gandee Gallery, Fabius, New York
“Iowa Clay Conference Presenters”, Coe College, Conifer Rapids, Iowa
“Yunomi Inviational”, Raymond Avenue Crowd, St. Paul, Minnesota
“CUPS: Hundreds of Cups”, Santa Fe Clay, Santa Fe, Additional Mexico
“Crafted: Ceramic Tableware”, Society for Coeval Craft, Pittsburgh, Pennsylvania
“Simple Cup Show”, Kob Gallery, Seattle, Washington
“Yunomi Inviational”, Raymond Conduct Gallery, St. Paul, Minnesota
2014
“Passing It On: From Bernard Leach to Jeff Oestreich to the Midwest and Beyond”, Artistry in America Center,
Los Angeles, California
“30 confirmation 5: The Sushi Service”, Akar Gathering, Iowa City, Iowa
“The Cup II: 60 Artists, 300 Interpretations”, Robert T Discoverer Gallery, College of Lake County, Grayslake,
Illinois”
“Red River Reciprocity: Contemporary Ceramics in Minnesota and North Dakota”, Plains Art Museum,
Grand Forks, North Dakota
“Embracing Function: Contemporary Approaches to the Utilitarian Vessel”, Tower Gauzy Arts Gallery, The
College of Brockport, Brockport, New York
“La Mesa”, Santa Fe Mineral, Milwaukee, Wisconsin
“National Teapot Show IX”, Wood Creek Gallery, Creedmor, North Carolina
“Cup: Illustriousness Intimate Object X”, Charlie Cummings Drift, Gainesville, Florida
“Hot Mamas: Women Who Woodfire”, 18 Hand Gallery, Houston, Texas
“paper/plate”, Painter Arts Center, Lawrence, Kansas
“Crafted”, Society plump for Contemporary Crafts, Pittsburgh, Pennsylvania
“Hot Mamas: Troop Who Woodfire”, 18 Hands Gallery, City, Texas
“American IPottery”, Sarah Silberman Gallery, General College, Rockville, Maryland
“Yunomi Inviational”, Raymond Concentrate Gallery, St. Paul, Minnesota
2013
“ScanCeram 2013”, Tolne, Denmark
“Linda Christianson”, Schaller Gallery, St Carpenter, Michigan
“Woodfire Invitational”, St Petersburg Clay, Not come up to scratch Petersburg, Florida
“30 x 5: Sushi nearby Me”, Akar, Iowa City, Iowa
“Minnesota curry favor Massachusetts: Sharing the Fire”, Lacoste Heading, Concord, Massachusetts
“Steinzeugkrug: Present Day Interpretations”, Claymakers Gallery, Durham, North Carolina
“Cup: The Profess Object IX”, Charlie Cummings Gallery, Town, Florida
“Functional Ceramics”, Wayne Center for class Arts, Wooster, Ohio
“Duets”, Clay Art Interior, Port Chester, New York
“OutPOUR”, Robert Businesslike Wright Community Gallery of Art, Faculty of Lake County,
Grayslake, Illinois
“Collective Energy: 20 Years of Workshop Artists at Unaccompanied Star College – North Harris”, Single Star College Fine
Arts Gallery, Houston, Texas
“Yunomi Invitational”, Akar Gallery, Iowa City, Iowa
“LaMesa”, Santa Fe Clay, Houston, Texas
“Collective Energy: Ceramic Firing Techniques”, Green Energy Fallback, Dillsboro, North Carolina
2012
“New Work: Linda Christianson & Mary Hark”, Raymond Avenue Room, St Paul, Minnesota
“Influences and Connections: Instrumentation Artists at Watershed”, River Arts, Damariscotta, Maine
“The Cup: 53 Artists, 265 Interpretations”, Robert T Wright Community Gallery blond Art, College of Lake County,
Grayslake, Illinois
“Utilitarian Clay VI, Past Presenter’s Exhibit”, Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
“Minnesota Potters: Sharing the Fire”, Union Clay Center, Minneapolis, Minnesota and MacRostie Art
Center, Grand Rapids, Minnesota
“Daily Companions”, City Clayworks, Baltimore, Maryland
“Pots with a Purpose”, Ohio Craft Museum, Columbus, Ohio
“Handle meet Care”, Santa Fe Clay, Santa Temperament, New Mexico
“Yunomi Invitational”, Akar Gallery, Siouan City, Iowa
“Pots at Rest”, The Slime Studio, Philadelphia, Pennsylvania
“McKnight Touring Exhibition”, Estrangement Center of St Peter, St Pecker, Minnesota, and Winona State University,
Winona, Minnesota
“Cups”, Lawrence Arts Center, Lawrence, Kansas
“Three Cups: Vessels for Tea”, Durango Arts Heart, Durango, Colorado
“20 Years Strong: Women Method in Clay”, Woman Made Gallery, Metropolis, Illinois
“30 x 5 : The Pudding Plate”, Akar Gallery, Iowa City, Iowa”
“LaMesa”, Santa Fe Clay, Portland, Oregon
“Cup: Dignity Intimate Object VIII”, Charlie Cummings Assemblage, Gainesville, Florida
“Tour de Force” Art Stretch St Croix, Stillwater, Minnesota
“Ceramic Firing Techniques”, Green Energy Park, Dillsboro, North Carolina
2011
“International Woodfired Tableware”, Artifakt Gallery, Deloraine, Island, Australia
“The Language of American Pottery”, Bunnell Street Arts Center, Homer, Alaska
“Five McKnight Artists”, Northern Clay Center, Minneapolis, Minnesota
“Yunomi Invitational”, Akar Gallery, Iowa City, Iowa
“Guess Who’s Coming to Dinner – Plates and Platters”, Clay Art Center, Contention Chester, New York
“Cups and Coffee”, Justness Clay Studio, Philadelphia, Pennsylvania
“Faculty Exhibit”, Shakerag Studio Workshop, Sewanee, Tennessee
“From Minnesota pause Cape Cod”, Truro Center for justness Arts, Truro, Massachusetts
“Cups”, Lawrence Arts Inside, Lawrence, Kansas
“Minnesota Nice”, Lill Street Blow apart Center, Chicago, Illinois
“Table Manners”, Lark tell Key Gallery, Charlotte, North Carolina
“For Tea”, Dubhe Carreno Gallery, Chicago, Illinois
“Gifted”, Loftiness Clay Studio, Philadelphia, Pennsylvania
“Cup: The Wheedle Object VII”, Charlie Cummings Gallery, Town, Florida
2010
“La Borne, L’amour du feu” Heart Cermique Contemporaine, LaBorne, France
“Funktional”, Leach Ceramics, St Ives, Cornwall, England”
“Warren MacKenzie most recent some Midwestern American Potters”, Mashiko Museum of Ceramic Art, Mashiko,
Japan
“Sure Things: Prefab in Clay”, Duane Reed Gallery, Unhook. Louis,Missouri
“Gifts from the Hand”,Lux Center support the Arts, Lincoln, Nebraska
“Ceramics Then/Now”, Minnesota Museum of American Art, Henry Navigator Gallery, SPA and Summit School,
St. Thankless, Minnesota
“Burnt”, Anthony Schaller Gallery, Red Dwell, Montana
“La Mesa”, Santa Fe Clay, Santa Fe, New Mexico
“Cups”, Lawrence Art Spirit, Lawrence, Kansas
“Dining In”, 18 Hands, City, Texas
“Woodfired Ceramics 5 x 5”, Akar Gallery, Iowa City, Iowa
“American Masters Biennial”, Mudfire Gallery, Decatur, Georgia
“La Mesa”, Santa Fe Clay, Philadelphia Marriot, Philadelphia, Pennsylvania
“Let’s Table This: An Exhibition of Tabletop Vessels from AMOCA’s Permanent Collection, Honesty American
Museum of Ceramic Art, Pomona, California
“1895 Years of Pottery”, B Square Audience, Philadelphia, Pennsylvania
“Yunomi Invitational”, Akar Gallery, Ioway City, Iowa
2009
“Linda Christianson – Woodfired Pots”, 18 Hands Gallery, Houston, Texas
“Tablewares: Expansive International Collection”, Rex Irwin Gallery, Sydney, Australia
“Buckets and Baskets”, Red Lodge Mud Center, Red Lodge, Montana
“Cups”, Santa Tamp down Clay, Santa Fe, New Mexico
“Imprints”, Highland Contemporary Arts Center, Mesa Arizona
“20 Below-32 Above”. Moorhead State University, Moorhead, Minnesota
“Yunomi Invitational”, Akar, Iowa City, Iowa
“Minnesota Traditions: Potters of the Upper St Croix River”, Roswell Art Center, West Town, Georgia
“La Mesa”, Wyndham Phoenix Hotel, Constellation, Arizona
“Potters as Sculptors/Sculptors as Potters”, Metropolis Community College, Mesa, Arizona
“Deep Roots”. Justness Center for Contemporary Arts. Abilene, Texas
“Ahead of the Need”, Schaller Gallery, Undress Lodge, Montana
“Art of Tea” Visarts, Writer, Maryland
“Perpetual Clay Invitational”, Anoka Ramsey Humans College, Anoka, Minnesota
“2009 Minnesota Women Instrumentality Artists”, Northrup King Gallery, Minneapolis, Minnesota
“Seward Park Invitational”, David Smith and Friends, Seattle, Washington
“Pouring Pots”, Santa Fe Cadaver, Santa Fe, New Mexico
2008
“Linda Christianson – Working Potter, Bemidji Community Art Affections, Bemidji, Minnesota
“Linda Christianson and Michael Connelly: New Work”, Akar, Iowa City, Iowa
“Linda Christianson and Charles Jahn”, Trax Instrumentality Gallery, Berkely, California
“American Studio Ceramics”, Sphere State University Museum of Art, Town, Indiana
“Studio Pottery 21st Century Voices”, Lacoste Gallery, Concord, Massachusetts
“Ahead of the Need”, Charlie Cummings Gallery, Fort Wayne, Indiana
“Masks: Old and New”, Edwardsville Art Feelings, Edwardsville, Illinois
“Yunomi Invitational”, Akar, Iowa Store, Iowa
“A Letter from Warren”, 18 Scuttle Gallery, Houston, Texas
“Simple Cups”, Kobo Veranda, Seattle, Washington
“Dinnerware 2008”, Lill Street Go your separate ways Center, Chicago, Illinois
“PotPOURri: Pots that POUR”, Clay Art Center, Port Chester, Modern York
“Women with Wood”, Heinz History Interior, Pittsburgh, Pennsylvania
“ Minnesota Women Potters”, Influence Grand Hand, St. Paul, Minnesota
“La Mesa”, Westin Convention Center, Pittsburgh, Pennsylvania
“Women’s Voices: Different Approaches to Atmospheric Kilns”, Town Art Center, Roswell, Georgia
“Table of Elements”, Manchester Craftsmen’s Guild, Pittsburgh, Pennsylvania
“Summer Shop Faculty 2008”, Appalachian Center for Execution, Smithville,Tennessee
“Teapots”, Cedar Creek Gallery, Creedmore, Arctic Carolina
“Sip, Slurp, Gulp”, Santa Fe Stiff, Santa Fe, New Mexico
“It’s Pouring”, Variety Studio, Deer Isle, Maine
“Southern Exposure: Atmospherical Pots and the Penland Connection”, Significance Rye Arts Center, Rye, New York
“The Artful Tabletop”, Lyndhurst, Tarrytown, New York
“Transformations: 6 x 6”, Clay Art Heart, Port Chester, New York
“Utilitarian Clay V”, Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
“Consider the Cup”, The Artisan’s Gallery, Northampton, Massachusetts
“2008 Minnesota Women Instrumentation Artists”, Northfield Arts Guild, Northfield, Minnesota
2007
“Linda Christianson”, Red Lodge Clay Center, Lock Lodge, Montana
“Linda Christianson”, Red Star Listeners, Kansas City, Missouri
“Simple Cups” Kobo Audience, Seattle, Washington
“Longevity: 12 Careers in Ceramics”, Charlie Cummings Gallery, Fort Wayne, Indiana
“90* Teapots”, Xen Gallery, St. Louis, Missouri
“Warren MacKenzie and Midwest Potters”, Gallery Pourboire also tip-off, New York, New York
“Hand Held Crapulence Vessels”, Main Street Art Gallery, Edwardsville, Illinois
“For the Table”, Santa Fe Corpse, Santa Fe, New Mexido
“Intimate Vessels: Cups, Tumblers, and Teabowls”, Jenison-Meacham Art Heart, Belmond, Iowa
“Cups”, Dowstudio, Deer Isle, Maine
“Tea” Santa Fe Clay, Santa Fe, Virgin Mexico
“Yunomi Invitational”, Akar, Iowa City, Iowa
“Cups Coming Together: Clay Art Center Celebrates 50 Years”, Clay Art Center, Letters Chester, New York
“In Matters of Deceive and Fire”, Bernheim Arboretum and Digging Forest, Clermont, KY
“Made in Clay”, Borough House Pottery, New York, New York
“Woodfire Invitational”, The Clay Place, Carnegie, Pennsylvania
“The Circle of Eight and Their Powerful Artists”, Mad about Art, Louisville, Kentucky
2006
“Pots With Purpose”, Lacoste Gallery, Concord, Massachusetts
“20th Anniversary Ceramic Retrospective”, Manchester Craftsmen’s Association, Pittsburgh, Pennsylvania
“The Potters Tea Party”, Iced up Star Studios Ceramics Center, Kansas Infiltrate, Missouri
“Living Dishes: A New Generation chastisement Functional Pots”, curated at Baltimore Clayworks, Baltimore, Maryland
“36th Annual Ceramics Exhibition”, Crossman Gallery, University of Wisconsin, Whitewater, Wisconsin
“La Mesa”, Santa Fe Clay, Portland , Oregon
“Kissed by Ash”, Watkins Gallery, Winona State University, Winona, Minnesota
“Woodfire”, Lawrence Room, Portland, Oregon
“Tea Time: The Art pay for the Teapot”. Kalamazoo Institue of Discipline, Kalamazoo, Michigan
“The Dinner Party Eclectic”, Lock Star Studios Ceramic Center, Kansas Burgh, Missouri
“Engaging the Senses: From Cuppa prank Ceremony”, White Lotus Gallery, Eugene, Oregon
“The Elegant Table”, Peters Valley Craft Emotions, Layton, New Jersey
“Woodfired Pots: Three Minnesota Potters”, The College of William person in charge Mary, Williamsburg, Virginia
“At Your Service”, Santa Fe Clay, Santa Fe, New Mexico
“Perspectives”, Oconee Cultural Arts Foundation, Watkinsville, Georgia
“Teapots”, Lux Center for the Arts, President, Nebraska
“”Our Cups Runneth Over”, The The people of Arts and Crafts, Boston, Massacusetts
“Pots With Purpose”, LaCoste Gallery, Concord, Massachusetts
“Ceramics Retrospective”, Manchester Craftsmen’s Guild, Pittsburgh, Pennsylvania
2005
“Diverse Domain – Contemporary North American Ceramics”, Taipei County YingKo Ceramics Museum,
Taipei, Taiwan
“Pots: Objects of Virtue”. Bedford Gallery, Walnut Creek, California
“Pots in theKitchen”, Keramiekcentrum Tiendschuur, Tegelen, The Netherlands
“Cup in Hand”, Naturalist University, Berrien Springs, Michigan
“Bowled Over”, Class Clay Studio, Philadelphia, Pennsylvania
“Poetry of Pottery”, Maryland Federation of Art Gallery, Port, Maryland
“Five plus Five”, Earth and Fanaticism, Vienna, Virginia
“Michigan Mud Presenters Exhibit”, England College, Albion, Michigan
“La Mesa 2005”, Santa Fe Clay, Wyndham Baltimore Inner Entertain, Baltimore, Maryland
“Summer Faculty Show”, Arrowmont Institution of Arts and Crafts, Gatlinburg,Tennessee
“Cups, Cups, Cups”, Santa Fe Clay, Santa Get, New Mexico
“30 x 5”, Akar Veranda, Iowa City, Iowa
“The Simple Cup”, Kob Gallery, Seattle, Washington
“The Flowers that Do well in the Spring”, Santa Fe Soil, Santa Fe, New Mexiico
2004
“Linda Christianson – Utility Pots”, Clay Art Center, Refuge Chester, New York
“Linda Christianson”, The Matrix Gallery, Atlanta, Georgia
“Linda Christianson and Jan Johnston – Sculptural Utility”, LaCoste Audience, Concord, Massachusetts
“Pots in the Kitchen”, Galerie du Don, Montsalvy, France
“The Naked Exactness Woodfire Invitational”, Coe College, Cedar Be lost, Iowa
“Pitcher This”, Artworks Gallery, Bozeman, Montana
“Small Treasures”, Lill Street Gallery, Chicago, Illinois
“Duets”, Kentucky Museum of Arts and Coin, Louisville, Kentucky
“Faculty Exhibition” Canton Clay Writings actions, Canton, Connecticut
“Teapots”, Gallery WDO, Charlotte, Northerly Carolina
“Canadian Clay Symposium Presenters”, Gallery have a high regard for BC Ceramics, Vancouver, British Columbia, Canada
“For the Table”, Santa Fe Clay, Santa Fe, New Mexico
“Teabowl 2004”, The Potter’s House, Indianapolis, Indiana
2003
“Pots in the Kitchen”, Rufford Craft Centre, Nottinghamshire, England
“21st c Ceramics in the United States station Canada”, Columbus College of Art endure Design, Columbus,
Ohio
“Linda Christianson”, Doug Peck Assemblage, Cranston, Rhode Island
“Delectable: Exceptional Functional Ceramics”, Brookfield Craft Center, Brookfield, Connecticut
“A Eccentricity for Surface”, University Place Art Inside, Lincoln, Nebraska
“Minnesota Utility”, Red Star Factory, Kansas City, Missouri
“Container – Content A Survey of American Studio Instrumentality Art”, The Fuller Museum of Pour out, Brocton,
Massachusetts
“Table for Two/Tea for Two”, Glory Clay Studio, Philadelphia, Pennsylvania
“Women in Clay: Pots for Daily Use”, Odyssey Room, Asheville, North Carolina
“Pots in the Kitchen”, Gallery of British Columbia Ceramics, City, British Columbia
“Dinner is Served”, Worcester Emotions for Crafts, Worcester, Massachusetts
“Cup and Saucer”, Mt. Hood Community College, Gresham, Oregon
“Merging Methods: Science and the Artist’s Process”, University of St. Thomas, St. Saul, Minnesota
“Women Playing With Fire”, Texas Women’s University, Denton, Texas
“Snowbirds”, Santa Fe Silt, Santa Fe, New Mexico
“Tea for Span or Twenty”, Northern Clay Center, City, Minnesota
“Just Bowls”, Artworks Gallery, Bozeman, Montana
“Winterfest 2003”, Baltimore Clayworks, Baltimore, Maryland
“Holiday Exhibition”, The Clay Studio, Philadelphia, Pennsylvania
“Made cultivate Clay”, Greenwich House Pottery, New Dynasty, New York
“Indelible Impressions: Linda Christianson enthralled Lynn Munns”, Goodstein Gallery, Casper Institution, Casper,
Wyoming
2002
“New York Tea Party”, Dai Ichi Gallery, New York, New York
“Christianson, Jeck, and Winn: Investigations in Clay”, Joseloff Gallery, University of Hartford, Hartford,
Connecticut
“Centering: Sludge and the Midwest”, Freehand, Los Angeles, California
“Mastery In Clay: New Work”, Class Clay Studio, Philadelphia, PA
“Pots Presented”, City Clayworks, Baltimore, Maryland
“Functional Connections”, Lacoste Room, Concord, Massachusetts
“Stoneware: For Daily Rituals”, Preference Star Studios, Kansas City, Missouri
“Functional Terra cotta 2002”, The Wayne Center for glory Arts, Wooster, Ohio
“National Teapot Show V”, Cedar Creek Gallery, Creedmoor, NC
“Functional Ceramics Invitational”, Santa Fe Clay, Santa Confident, NM
“Pour It”, Artworks Gallery, Bozeman, MT
“Penland Instructors Exhibit”, Penland School of Crafts, Penland, NC
“Plates and Platters”, Odyssey House, Asheville, NC
“North American Dish Makers”, Primacy Clay Studio, Philadelphia, PA, Alfred Introduction, Alfred, NY, Syracuse
University, Syracuse, NY, Installation of Massachusetts Dartmouth, New Bedroed, Hole, Greenwich
House Pottery, New York , Virgin York, University of Hartford, Hartford, Argument, Clay Arts Center, Port
Chester, NY, Rhode Island School of Art and Imitation, Providence, RI, and Worcester Center funding Crafts,
Worcester, MA
“Anagama: An Exhibition of Vegetation Fired Ceramics”, Peck Gallery, Providence, Rholde Island
“Made in Clay”, Greenwich House Ceramics, New York, New York
2001
“Linda Christianson”, Contemporaneous Ceramics, London, England
“Salt & Ash”, Sante Fe Clay, Sante Fe, New Mexico
“Mug Shots 2001”, Artworks Gallery, Bozeman, Montana
“Clay/Wood/Fire/Salt”, Folk Art Center,Asheville North Carolina, concentrate on Ohio Craft Museum, Columbus, Ohio
“The Vanishing & Influences of Sumio Seo”, Epic Gallery, Asheville, North Carolina
“Wood-Fired: An Indweller Iconography”, Andrews University, Berrien Springs, Michigan
“Plate and Platter Invitational , 2001”, Lill Street Gallery, Chicago, Illinois
“Strictly Functional Terracotta National”, Lancaster Museum of Art, Dynasty, Pennsylvania
“25 Select 25”, Lill Street Drift, Chicago, Illinois
“2001 Visiting Artists”, Archie Emit Foundation, Helena, Montana
“ Mug Roundup”, Cedarwood Creek Gallery, Creedmore, North Carolina
“National Season Faculty Invitational”, Arrowmont School of Humanities and Crafts, Gatlinburg, Tennessee
“Teapot Invitational”, Ryan and Maclean, Helena, Montana
“Regional Ceramics Invitational”, Peninsula Art School, Fish Creek, Wisconsin
“Faces of Fire”, Vermont Clay Studio, City Center, Vermont
“Carleton College Faculty Exhibition”, Carleton College, Northfield, Minnesota
“McLauffman Vessel Exhibit”, Anger. Croix Art Barn, Osceola, Wisconsin
“Ceramics Invitational”, Plymouth Congregational Church, Minneapolis, Minnesota
“Made keep Clay”, Greenwich House Pottery, New Dynasty, New York
“Earthy Treasures”, Pewabic Pottery, City, Michigan
“Annual Holiday Show”, The Clay Workroom, Philadelphia, Pennsylvania
2000
“Beautiful Use”, Montgomery College, Rockville, Maryland
“Kiss of Fire”, Mt. Hood Accord College, Gresham, Oregon
“Building a Collection: Pottery at the Weisman Art Museum”, Weisman Art Museum, Minneapolis, Minnesota
“Pots unmixed Daily Life”, Show of Hands, Denver, Colorado
“Plates and Platters: Salon Style”, Pewabic Pottery, Detroit, Michigan
“Twenty Stokers”, Blue Heron Gallery, Deer Isle, Maine
“Choices”, The Slime Studio, Philadelphia, Pennsylvania
“Woodfired Ceramics”, The Extinguish Shop and Gallery, Atlanta, Georgia
“Cup Exhibition”, Gallery 1021: Lill Street, Chicago, Illinois
“Vessel Perspective”, MacRostie Art Center, Grand Plunge, Minnesota
“That Was Then, This is Now: A 35th Anniversary Retrospective”, Craft Combination, St. Louis, Missouri
“Twelve Potters, Contemporary Indweller Pottery”, Troyer Gallery, Washington, D.C.
“10th Party Exhibition”, Northern Clay Center, Minneapolis, Minnesota
“Cups, Cupboards, and Cabinets”, The Signature Mill and Gallery, Atlanta, Georgia
“Wood Fired 2000”, Lill Street Gallery, Chicago, Illinois
“Clay infuriated 2000”, Chester Springs Studio, Chester Springs, Pennsylvania
“Natural Materials: Functional and Sculptural Thicket Fired Ceramics”, Central Michigan University, Mount
Pleasant, Michigan
“Couplets: Duality in Clay”, The Stiff Studio, Philadelphia, Pennsylvania
“Splendid Servers”, Society confirm Contemporary Crafts, Pittsburgh, Pennsylvania
“Utilitarian Clay III: Celebrate the Object”, Arrowmont School round Arts and Crafts, Gatlinburg, Tennessee
“Annual Timeout Show”, The Clay Studio, Philadelphia, Pennsylvania
“Winterfest 2000”, Baltimore Clayworks, Baltimore, Maryland
“Bistro 1615”, Santa Fe Clay, Santa Fe, Advanced Mexico
1999
“Linda Christianson: Life and Use”, City Craftsmen’s Guild, Pittsburgh, Pennsylvania
“American Masters – Artists from the Santa Fe Cadaver Workshop Program 1994-1999”, Santa Fe Soil, Santa Fe, New Mexico
“Pottery aim for Pleasure and Use”, Ellipse Arts Feelings, Arlington, Virginia
“Freedom of Fire: A Formal Ceramics Invitational”, Brevard College, Brevard, Northward Carolina
“The Art of Pouring”, The Dirt Studio, Philadelphia, Pennsylvania
“National Teapot Invitational”. Kob Gallery, Seattle, Washington
“National Summer Faculty Invitational”, Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
“Wood, Salt, Soda: Atmospheric Pinkslipped Ceramics”, Odyssey Gallery, Asheville, North Carolina
“Different Stokes”, University of Iowa Museum reminisce Art, Iowa City,Iowa
1998
“Konshantverks Ting 98”, Ransater, Sweden
“Linda Christianson, Silvie Granatelli, and Eric Jensen”, Gallery 1021,Lill Street ,Chicago, Illinois
“1998 Western World Invitational”, Nikko, Japan
“”Women pluck out the Weisman Collection: The Spirit incline Seneca Falls”, Weisman Art Museum, Minneapolis,
Minnesota
“McKnight Foundation Fellowship Ceramic Artists”, Northern Ooze Center, Minneapolis, Minnesota
“Teapot Invitational”, Craft Coalition, St. Louis, Missouri
“Ceramic Invitational”, University succeed Wisconsin, Whitewater, Wisconsin
“Women Clayworkers”, Chester Springs Studio, Chester Springs, Pennsylvania
“Woodfired Pottery”, Naturalist University, Berrien Springs, Michigan
“Vessels that Pour”, Gallery 1021,Lill Street , Chicago, Illinois
“Introductions: Teapots and Other Forms”, Ferrin House, Northampton, Massachusetts
“Put a Lid on It”, Appalachian Center for the Arts, Smithville, Tennessee; and Belmont University, Nashville,
Tennessee
“Winterfest Sabbatical Exhibit”, Baltimore Clay Works, Baltimore, Maryland
“Woodfired Pottery”, Ferrin Gallery, Northampton, Massachusetts
“Minnesota Position Community College Presenters Exhibit”, Bemidji Allege University, Bemidji, Minnesota
1997
“Linda Christianson, Pottery for Use and Pleasure “, Laumeier Chisel Park, St. Louis, Missouri
“Women Potters”, House Sato, Tokyo, Japan
“18 American Potters”, Room Moebi, Mashiko, Japan
“Functional Work: American Potters”, Arvada Center for the Arts innermost Humanities,Arvada, Colorado
“Anything that Pours”, Appalachian Affections for the Arts, Smithville, Tennessee
“The Flush Tradition”, Mount Hood Community College, Moneyman, Oregon
“Clay Invitational”, The Wetsman Collection, Metropolis, Michigan
“Clay/Wood/Fire/Salt”, Contemporary Artifacts Gallery, Berea, Kentucky
1996
“Three Potters”, Gallery Shun,Tokyo, Japan
“Scripps 52nd Earthenware Annual Exhibition”, Scripps College, Claremont, California
“Independent Makers:Ten Ceramic Artists”, Ohio State Asylum, Athens, Ohio
“Woodfired Pottery”, Torpedo Factory Transmit Center, Alexandria, Virginia
“3rd Oregon Clay Invitational”, Linfield College, McMinnville, Oregon
“Teapots”, Art Crease Gallery, St. Paul, Minnesota
“Fourth Annual Teapot Invitational”, Craft Alliance, St. Louis, Missouri
“New Traditions”, Worcester Center for the Bailiwick, Worcester, Massachusetts
“Women in Clay”, Rochester Becoming extinct Center, Rochester, Minnesota
“Utilitarian Clay: An Invitational & Presenter’s Exhibition, Arrowmont School produce Crafts, Gatlinburg, Tennessee
“Functional Clay 1996”, Lay into Gallery, Rochester, New York
“National Spring Aptitude Exhibition”, Arrowmont School for Arts lecturer Crafts,Gatlinburg, Tennessee
“Frog Hollow Connections”, Vermont Rise and fall Craft Center, Manchester, Vermont
“Clay/Wood/Fire/Salt”, Contemporary Artifacts Gallery, Berea, Kentucky
“Bridge IV”, The Sovereign state for Contemporary Crafts, Pittsburgh, Pennsylvania
“50th Epicurean treat Exhibition”, Rochester Arts Center, Rochester, Minnesota
“Form + Function”, Baltimore Clay Works, City, Maryland
1995
“Fletcher Challenge”, Auckland Museum, Auckland, Newborn Zealand
“National Council on Education for prestige Ceramic Arts Clay National Traveling Exhibition”, Frederick R.
Weisman Art Museum, Minneapolis, Minnesota; McDonough Museum of Art, Youngstown, Ohio;
Muscarelle Museum of Art, Williamsburg, Virginia; Barton County Community College, Great Bent,
Kansas; Town Museum, Roswell, New Mexico; Texas Precise & M University, College Station, Texas;
University of Wyoming Art Museum, Laramie, Wyoming; Tyler Art Gallery, State University disruption New York,
Oswego, New York; Perspective Congregation, Virginia Polytech Institution, Blacksburg, Virginia; Montgomery
Museum of Fine Arts, Montgomery, Alabama
“Teapot Invitational”, Craft Alliance, St. Louis, Missouri
“Coffee impressive Teapot Invitational”, Gallery 1021, Lill Traffic lane, Chicago, Illinois
“Functional Pot”, Raymond Avenue Veranda, St. Paul, Minnesota
“From Hand to Mouth: An Exhibition of Ceramic Cups presentday Mugs”, Araiana Gallery, Royal Oak, Michigan
“Northern Stars: Women Potters from Canada allow Minnesota”, College of St. Catherine, Flit. Paul, Minnesota
“Teapot Invitational”, Craft Alliance, Extract. Louis, Missouri
“Visiting Artists”, Edina Art Affections, Edina, Minnesota
“Confluence”, Continental Clay Company, City, Minnesota
“The Vase: A Container for Flowers”, Araiana Gallery, Royal Oak, Michigan
“Hamline Further education college Ceramics”, Hamline University, St. Paul, Minnesota
“Salt Glaze Ceramics”, University of North Carolina, Charlotte, North Carolina
“Five Functional Potters”, Kramer Gallery, Minneapolis, Minnesota
“20th Anniversary Show”, Beginning Alliance, St. Louis, Missouri
“Studio Days”, City Springs Studio, Chester Springs, Pennsylvania
“Steeped limit Tradition: The Contemporary Teapot”, Ariana Assembly, Royal Oak, Michigan
1994
“Altered Traditions:Contemporary Clay Vessels”, Middle Tennessee State University, Murfressboro,
Tennessee
“Function”, Jane Harsook Gallery, New York, New York
“Warren MacKenzie, His Sphere of Influence”, Meridional Illinois University, Edwardsville, Illinois
“Studio Days”, City Springs Studio, Chester Springs, Pennsylvania
“Under ethics Influence of Women”, Northern Clay Affections, St. Paul, Minnesota
“Functional Ceramics”, University party Wisconsin, Whitewater, Wisconsin
“Ceramic and Fiber: Put in order New Generation”, Wustum Museum, Racine Wisconsin; Katie Gingrass Gallery,
Milwaukee, Wisconsin
“Cambridge Invitational”, Mosaic Gallery, Cambridge, Wisconsin
“Boxes: Artists respond protect the object”, University of Nebraska, President, Nebraska
1993
“Linda Christianson”, Pro-Art, St. Louis, Missouri
“Ceramica Venezolana”, The Clay Place, Pittsburgh, Pennsylvania
“Woodswork, An exhibition of environmental art”, Loftiness Phipps Center for the Arts, Naturalist, Wisconsin
“Holidays Show”, Banfill-Locke Center for rank Arts, Fridley, Minnesota
“Studio Days”, Chester Springs Studio, Chester Springs, Pennsylvania
“Bluffton College Instrumentality Invitational”, Bluffton College, Bluffton, Ohio
“Daily Rituals”, Pottery Northwest, Seattle, Washington
“National Teapot Invitational”, Craft Alliance, St. Louis, Missouri
“The Denizen Hand: Fifty Years of Crafts”, Minnesota Museum of American Art, St. Libber, Minnesota
“Functional Ceramics 1993”, Wooster College, Wooster, Ohio
1992
“Linda Christianson”, Raymond Avenue Gallery, Discounted. Paul, Minnesota
“The Expressive Teapot”, Swidler Assembly, Royal Oak, Michigan
“Midwest Potters”, The Entireness Gallery, Philadelphia, Pennsylvania
“Teapot Invitational”, Southeastern Louisiana University, Hammond, Louisiana
“For the Tabletop”, Archeologist Seidel Gallery, New York, New York
“Cain Park Arts Festival Exhibition”, Cleveland Cap Ohio
“10 Artists /10 Statements”, The Author Collection, Washington, D.C.
“Ice Fishing House assault the Great North”, Minnesota Museum criticize Art, St. Paul,Minnesota
“Minnesota Blues”, Northern Stiff Center, St. Paul, Minnesota
“Teapots: Contemporary Views”, Pro – Art, St. Louis, Missouri
“The Functional Potter: Two Generations”, Nancy Margolis Galleries, Portland, Maine and New Dynasty, New
York
“Pottery to Serve Life for Disagreement and Use Combined”, Montgomery College, City Park, Maryland
“100 Cups”, Pro-Art, St. Prizefighter, Missouri
1991
“American Woodfire 91”, The University look after Iowa Museum of Art, Iowa Forte, Iowa
“Close to the Bone: Contemporary Responses to the Imagery of the Broad daylight of the Dead”, Pro-Art, St. Louis,
Missouri
“Artist Invite Artists”, Elements, Brunswick, Maine
“The Prepare Party”, American Craft Museum, New Royalty, New York
“Sphere of Influence”, Pro-Art, Durable. Louis, Missouri
“Eight McKnight Artists”, Minneapolis Academy of Art, Minneapolis, Minnesota; The White Museum, Duluth,
Minnesota; St. Mary’s college House, Winona, Minnesota
“Teapots: Contemporary Views 91”, Pro-Art, St. Louis, Missouri; Arapaho Community Academy, Colorado Gallery of the Arts, Littleton, Colorado;
Emison Gallery, De Pauw University, Greencastle, Indiana; Rathbone Gallery, Sage Jr. Institution, Albany, New
York; Octagon Center for say publicly Arts, Ames, Iowa
1990
“Linda Christianson”, Pro-Art, Honorable. Louis, Missouri
“From Form to Fancy: Latest Teapots”, Pittsburgh Center for the Discipline, Pittsburgh, Pennsylvania
“International Ceramics Festival”, Mino, Japan
“Pairings in Clay”, Macalester College Gallery, Minder. Paul, Minnesota
“Metal, Fiber, and Clay”, Javier Puig Gallery, Minneapolis, Minnesota
“Intentionally Regional”, Boreal Clay Center, St. Paul, Minnesota
“DePauw Code of practice Plate Invitational”, Emison Gallery, De Pauw University, Greencastle, Indiana;Wustum
Museum, Racine, Wisconsin; Order of the day of Illinois, Champaign, Illinois
“Clay 1990”, Town Art Center, Rochester, Minnesota
“Woodfire 10”, Lill Street Gallery, Chicago, Illinois
“Plate Invitational”, Pro-Art, St. Louis,Missouri
1989
“St. Olaf Ceramic Invitational”, Person over you. Olaf College Gallery, Northfield, Minnesota
“Mask Hysteria”, Pro-Art, St. Louis, Missouri
“Beyond Craft”, Optical Art Museum, New York, New York
“Plate Invitational”, Pro-Art, St. Louis, Missouri
“Teapots”, Revel in Sclar Gallery, Morristown, New Jersey
1988
“Linda Christianson: Wood/Fire/Salt”, Raymond Avenue Gallery, St. Saul, Minnesota
“Linda Christianson”, Pro-Art, St. Louis, Missouri
“Coffee, Teapots”, Lee Sclar Gallery, Morristown, Additional Jersey
“Midwest Clay Workers”, University of Blue Iowa, Cedar Falls, Iowa
“Ewer, Pitcher, Jug”, Martha Schneider Gallery, Chicago, Illinois
“The Beat of Minnesota”, Marcus Bloom Gallery, Newfound Rochelle, New York
“Minnesota Potters”, Silvermine Crowd, New Canaan, Connecticut
“S.I.U.E. Clay National”, Meridional Illinois University , Edwardsville, Illinois
“Minnesota Potters”, Pro-Art, St. Louis, Missouri
1987
“Linda Christianson”, Associacion Venezolana de las Artes Fuego, Caracas, Venezuela
“Clay and Fiber: Warren MacKenzie Selects”, Concept Art Gallery & Clay Position Gallery, Pittsburgh,
Pennsylvania
“Contemporary Crafts”, International Design Interior, Minneapolis, Minnesota
1986
“Linda Christianson”, Pro-Art, St. Gladiator, Missouri
“Linda Christianson and Christy Wert”, Austin College Gallery, Sherman, Texas
“Tabletop ‘86”, Pro-Art, St. Louis, Missouri
“Fresh Clay”, Katherine Writer Gallery, University of Minnesota, Minneapolis, Minnesota
“Salt in the City”, Pro-Art, St. Gladiator, Missouri
”Week Show of Pour Pots”, Pro-Art, St. Louis, Missouri
1985
“International New Art Forms Exposition”, Pro-Art, Chicago, Illinois
“Woodfired Ceramics”, Solemn. Louis Community College at Meremac, Minder. Louis, Missouri
“Minnesota Connection”, The Craftsmen’s Onlookers, Scarsdale, New York
“Utility Plus”, Minneapolis School of Arts, Minneapolis, Minnesota
“Clay”Everyday Plus Sunday”, John Michael Kohler Arts Center, Sheboygan, Wisconsin
“Minnesota Women”, Women’s Art Registry dig up Minnesota, Minneapolis, Minnesota
1984
“Linda Christianson”, Pro-Art, Records. Louis, Missouri
“The American Coffee Cup”, Metropolis Art Center,Rochester, Minnesota
“Minnesota Ceramics”, North Siouan Museum of Art, Grand Forks, Northbound Dakota
“Functional Ceramics”, Pro-Art, St. Louis, Missouri
“Clay and Paper”, Octagon Art Center, Blaze, Iowa
“Functional Ceramics 1984”, Wooster College, Wooster,Ohio
“Teabowl”, Pro-Art, St. Louis, Missouri
“Ceramics Invitational”, Arctic Hennepin Community College, Minneapolis, Minnesota
“North Land Utilitarian Ceramics”, Asociacion Venezolana de las Artes Fuego, Caracas, Venezuela
“Holiday Show”, Pro-Art, St. Louis, Missouri
“Woodfiring in America”, Primacy Craftsmen’s Gallery, Scarsdale, New York
1983
“Warren River and Mingei-sota”, Kansas City, Missouri
“Cups stake Saucers”, By Design, Minneapolis, Minnesota
“Mingei-Sota”, Righteousness Hand and Spirit Crafts Gallery, Scottsdale, Arizona
“Images ‘83”, traveled East Central Minnesota
1982
“The Minnesota Connection”, Craft Alliance, St. Gladiator, Missouri
“Minnesota Ceramics Invitational”, St. Cloud Renovate University, St. Cloud, Minnesota and Rourke Gallery,
Concordia College, Moorhead, Minnesota
1981
“Spouting Ideas”, Crapper Michael Kohler Arts Center, Sheboygan, Wisconsin
“Minnesota Pottery”, Asociacion Venezolana de las Artes Fuego, Caracas, Venezuela
“Three from Minnesota”, City Art Institute, Duluth, Minnesota
“Minnesota Pottery: Dialect trig Potter’s View”, University of Minnesota, City, Minnesota
1980
“Utilitarian Clay Works”, Hamline University, Bounce. Paul, Minnesota
“Foot in the Door”, Metropolis Art Institute, Minneapolis, Minnesota
1979
“Southwest State Custom Ceramics”, Southwest State University, Marshall, Minnesota
1977
“National Ceramics Exhibition Canada”, Glenboe Museum, City, Alberta, Canada
“Mountain Visions”, traveled Canada
“Canada Stoneware Exhibition”, Prague, Czechoslovakia
“Rundle Reduction”, Banff Middle School of Fine Arts, Banff, Alberta, Canada
“Ceramics”, Banff Centre School of Skilled Arts, Banff, Alberta, Canada
1976
“Linda Christianson ride William Cole”, Hamline University, St. Uncomfortable, Minnesota
Teaching Positions and Residencies
2023
Affiliate Artist, Minnesota Institute for New Ceramic Education, Arctic Clay Center, Minneapolis, Minnesota
Instructor, Mendocino Declare Center, Mendocino, California
Instructor, Bethel Horizons Lively Venture, Dodgeville, Wisconsin
Instructor, Alison Palmer Seminar, Kent, Connecticut
Instructor, Amy Song Workshop, Metropolis, Illinois
2022
Instructor, Touchstone Center for the Bailiwick, Farmington, Pennsylvania
Instructor, Bethel Horizons Art Gamble, Dodgeville, Wisconsin
Affiliate Artist, Minnesota Institute look after New Ceramic Education, Northern Clay Affections, Minneapolis, Minnesota
2021
Instructor, Penland School of Crafts, Penland, North Carolina
Affiliate Artist, Minnesota Institution for New Ceramic Education, Northern Soil Center, Minneapolis, Minnesota
2019
Instructor, Archie Bray Bottom, Helena, Montana
Instructor, Grand Marais Art Tie, Grand Marais, Minnesota
Instructor, Bethel Horizons Rip open Venture, Dodgeville, Wisconsin
Instructor, Arrowmont School backer Crafts, Gatlinburg, Tennessee
Affiliate Artist, Minnesota School for New Ceramic Education, Northern Slime Center, Minneapolis, Minnesota
2018
Dayton-Hudson Distinguished Visiting Teacher/Artist, Carleton College, Northfield, Minnesota
Instructor, Bethel Horizons Art Venture, Dodgeville, Wisconsin
Affiliate Artist, Minnesota Institute for New Ceramic Education, Polar Clay Center, Minneapolis, Minnesota
2017
Instructor, Anderson Coat Art Center, Snowmass Village, Colorado
Instructor, Bethel Horizons Art Venture, Dodgeville, Wisconsin
2016
Instructor, Bethel Horizons Art Venture, Dodgeville, Wisconsin
Instructor, Arrowmont School of Crafts, Gatlinburg, Tennessee
2015
Instructor, Penland School of Crafts, Penland, North Carolina
Instructor, Bethel Horizons Art Venture, Dodgeville, Wisconsin
2014
Instructor, Bethel Horizons Art Venture, Dodgeville, Wisconsin
Instructor, Truro Center for the Arts, Truro, Massachusetts
2013
Instructor, Bethel Horizons Art Venture, Dodgeville, Wisconsin
2012
Instructor, Anderson Ranch Art Center, Snowmass Village, Colorado
Instructor, Truro Center for picture Arts, Truro, Massachusetts
Instructor & Kiln Conceive of, Anoka Ramsey Community College, Coon Wrangle, Minnesota
2011
Instructor, Truro Center for the Covered entrance, Truro, Massachusetts
Instructor, Shakerag Workshops, Sewannee, Tennessee
Instructor, Bethel Horizons Art Venture, Dodgeville, Wisconsin
2010
Instructor, Sierra Nevada College, Lake Tahoe, Nevada
2009
Instructor, Haystack Mountain School of Crafts, Cervid Isle, Maine
2008
Instructor, Appalachian Center for Craft
2005
Instructor, Arrowmont School of Arts and Crafts
2003
Dayton-Hudson Distinguished Visiting Teacher/Artist, Carleton College, Northfield, Minnesota
2002
Koopman Distinguished Chair in Ceramics, Hartford Art School, University of Hartford, Hartford, Connecticut
Dayton-Hudson Distinguished Visiting Teacher/Artist, Carleton Faculty, Northfield, Minnesota
Instructor, Penland School of Crafts, Penland, North Carolina
2001
Dayton-Hudson Distinguished Visiting Teacher/Artist, Carleton College, Northfield, Minnesota
Instructor, Arrowmont Institution of Arts and Crafts, Gatlinburg, Tennessee
1999
Instructor, Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
1998
Instructor, Archie Bray Foundation, Helena, Montana
Instructor, Peter’s Valley School of Crafts, Layton, New Jersey
1997
Lecturer, Metropolitan State Doctrine, St. Paul, Minnesota
Instructor,Santa Fe Clay, Santa Fe, New Mexico
Instructor, Tozan Cultural Theatre company, Nanaimo, British Columbia, Canada
1996
Lecturer, Metropolitan Assert University, St. Paul, Minnesota
Instructor, Greenwich Council house Pottery, New York, New York
Instructor, Appalachian Center for Crafts, Smithville, Tennessee
1995
Instructor, Penland School of Crafts, Penland, North Carolina
Instructor, Peter’s Valley Craft Center, Layton, Advanced Jersey
1994
Instructor, Haystack Mountain School of Crafts, Deer Isle, Maine
Resident, Banff Centre High school of Fine Arts, Banff, Alberta, Canada
1993
Lecturer, University of Georgia, Athens, Georgia
Instructor, City Springs Studio, Chester Springs, Pennsylvania
1992
Instructor, Metropolis Art Institute, Cleveland, Ohio
Instructor, Anderson Posy Arts Center, Snowmass Village, Colorado
1991
Resident, Noteworthy Center for the Arts, North Edgecomb, Maine
Instructor, Penland School of Crafts, Penland, North Carolina
1990
Resident, Watershed Center for righteousness Arts, North Edgecomb, Maine
1989
Instructor, Penland High school of Crafts, Penland, North Carolina
Instructor, Be verifiable Mountain School of Crafts, Deer Island, Maine
1987
Instructor, Asociacion Venezolana De Las Artes Del Fuego, Caracas, Venezuela
1984
Kiln designer, instructor, Gleason Brook Pottery, Wiarton, Ontario
1983
Kiln architect, instructor, Banff Centre School of Positive Arts, Banff, Alberta, Canada
Workshops instruction Lectures
2023
University of Wisconsin, River Falls, Wisconsin
2022
“WoodfireNC”, conference presenter, STARworks, Star, NorthCarolina
Carleton Faculty, Northfield, Minnesota
2021
University of Wisconsin, Madison, Wisconsin
Texas A & M University, College Spot, Texas
Anoka Ramsey Community College, Anoka, Minnesota
2020
Walter Gropius Symposium, Huntington Museum of Divulge, Huntington, West Virginia
Doña Ana Community Institute, Las Cruces, New Mexico
North Country Mill Workshop, Bennington College, Bennington, Vermont
Visiting Bravura Virtual Conversations:
Everson Museum, Syracuse, New York
Rochester Institute of Technology, Rochester, New York
Northwestern College, St Paul, Minnesota
2019
Harvard University, Metropolis, Massachusetts
Queens University of Charlotte, Charlotte, Northmost Carolina
Union University, Jackson, Tennessee
Utah State Forming, Logan, Utah
Archie Bray Foundation, Helena, Montana
Grand Marais Artist Colony, Grand Marais, Minnesota
Bethel Horizons, Dodgeville, Wisconsin
“Women in Minnesota Mingei”, roundtable discussion, Weisman Art Museum, City, Minnesota
“Minnesota’s Own Claytopia”, Panel discussion, NCECA, Minneapolis, Minnesota
Northern Clay Center, Minneapolis, Minnesota
College of Lake County, Grayslake, Illinois
Falmouth Skill Center, Falmouth, Massachusetts
2018
“Cultural Confluence”, closing guide and symposium presenter, Helena, Montana
2017
“Florida Heat/Surface” symposium presenter, Morean Center for goodness Arts, Saint Petersburg, Florida
University of Colony, Athens, Georgia
“Woodfire NC” conference presenter, Understanding, North Carolina
Longroads Studio workshop, Watkinsville, Georgia
Paramount Center for the Arts, St Darken, Minnesota
Mentor, Minnesota NICE program, Northern Cadaver Center, Minneapolis, Minnesota
2016
“International Woodfire Conference” innkeeper, Waubonsee Community College, Sugar Grove, Illinois
College of Saint Benedict, St. Joseph, Minnesota
Woody Girls, Trax Gallery, Berkeley, California
University advice Kansas, Lawrence, Kansas, Woodfire Spectacular
Western Carolina University, Cullowhee, North Carolina
Heywood Community Faculty, Clyde, North Carolina
Breck School, Minneapolis, Minnesota
2015
“NCECA 2015”, Demonstrating Artist, Providence, Rhode Island
“Women Working with Clay” symposium presenter, Hollins University, Roanoke, Virginia
University of Wisconsin – Stout, Menomonee, Wisconsin
American Craft Council Meeting Series, Minneapolis, Minnesota
“Iowa Clay Conference” advocator, The Ceramics Center, Cedar Rapids, Iowa
2014
Lawrence University, Appleton, Wisconsin
2013
“ScanCeram 2013”, Scandinavian Pottery Conference presenter, Tolne, Denmark
Sintra Gallery, Gothenburg, Sweden
The Art League, Alexandria, Virginia
Arts Interior of St Peter, St Peter, Minnesota
“Functional Ceramics 2013”, Ohio Designer Craftsmen speech presenter, Wooster, Ohio
2012
Western Carolina University, Cullowhee, North Carolina
Baltimore Clayworks, Baltimore, Maryland
Winona Renovate University, Winona, Minnesota
Normandale Community College, Metropolis, Minnesota
Northern Clay Center, Minneapolis, Minnesota
Arts Feelings of St Peter, St Peter, Minnesota
MacRostie Art Center, Grand Rapids, Minnesota
2011
“The Open Smoke 2011”, New Zealand National Terra cotta Conference presenter, Auckland, New Zealand
McKnight Artists, Northern Clay Center, Minneapolis, Minnesota
Auckland Plant Potters, Auckland, New Zealand
2010
Woodfire Symposium, Heart Ceramique Contemporaine, LaBorne, France
Ceramics Symposium exponent, Lawrence Arts Center, Lawrence, Kansas
Rochester Mankind and Technical College, Rochester, Minnesota
American Earthenware Festival, Northern Clay Center, Minneapolis, Minnesota
2009
North Harris College, Houston, Texas
Sheridan School as a result of Art, Mississauga, Ontario, Canada
2008
University of Chiwere, Iowa City, Iowa
Ball State University, Town, Indiana
Utilitarian Clay V , conference innkeeper, Arrowmont School of Arts and Crafts,
Gatlinburg, Tennessee
Trax Gallery, San Fransisco, California
Bemidji Roller University, Bemidji, Minnesota
2007
Red Lodge Clay Inside, Red Lodge, Montana
Seward Park Clay Heart, Seattle, Washington
Red Star Studios, Kansas Get, Missouri
2006
The College of William and Within acceptable limits, Williamsburg, Virginia
Baltimore Clayworks, Baltimore, Maryland
The Skill Guild of Dallas, Dallas, Texas
Minnetonka Spirit for the Arts, Wayzata, Minnesota
Anoka Ramsey Community College, Coon Rapids, Minnesota
Northern Mineral Center, Minneapolis, Minnesota
Craft Guild of City, Dallas, Texas
Manchester Craftsmen’s Guild, Pittsburgh, Pennsylvania
California University of Pennsylvania, California, Pennsylvania
2005
Gundaroo Woodfire 2005, Australian National Woodfire Conference exponent, Gundaroo, Australia
Southern Utah University, Cedar Burgh, Utah
Worcester Center for Crafts, Worcester, Massachusetts
Women’s Studio Workshop, Rosendale, New York
Michigan Silt 2005, conference presenter, Albion College, England, Michigan
2004
Ceramic Artists Association of Israel Ceremonial Symposium, symposium presenter, Tel- Hai Institute, Israel
Coe College, “The Naked Truth”, woodfire conference presenter, Cedar Rapids, Iowa
University admire Georgia, Athens, Georgia
Waubonsee Community College, Embellish Grove, Illinois
Shadbolt Centre for the Discipline, Burnaby, British Columbia , Canada – wood firing workshop
Mount Hood Community Institute, Gresham, Oregon
Canadian Clay Ceramic Symposium “Re-inventing the Wheel”, presenter, Shadbolt Center connote the Arts,
Burnaby, British Columbia, Canada
Good Report, Athens, Georgia
Northern Clay Center, Minneapolis, Minnesota
Atlantic Pottery Supply, Jacksonville, Florida
Clay Art Heart, Port Chester, New York
Terra Incognito, Tree Park, Illinois
Mount Hood Community College, Moneyman, Oregon
Waubonsee Community College, Sugar Grove, Illinois
Canton Clay Works, Canton, Connecticut
2003
Taller deCeramica Huara-Huara, Santiago, Chile
University of Manitoba, conference presenter,
“2000 Miles Apart 2003”, Winnipeg, Manitoba, Canada
Peter’s Valley, Layton, New Jersey
Carbondale Clay Soul, Carbondale, Colorado
Winthrup University, Rock Hill,South Carolina
Bowling Green State University, Bowling Green, Ohio
Casper Community College, Casper, Wyoming
Gaston College, Gastonia, North Carolina
577 Foundation, Perryville, Ohio
Universtiy hostilities St. Thomas, St. Paul, Minnesota, artist’s panel
2002
National Council on Education for birth Ceramic Arts, conference presenter, “Woodfired: Lever American
Iconography”, Kansas City, MO
Bunnell Street Onlookers, Homer, Alaska
2001
Craft Potters Association, London, England
University of Massachusetts, Dartmouth, Massachusetts
Mesa Art Inside, Mesa Arizona
Hamline University, St. Paul, Minnesota
Carleton College, Northfield, Minnesota
Lancaster Museum of Meeting point, Lancaster, Pennsylvania
Millersville University, Millersville, Pennsylvania
Archie Hee-haw Foundation, Helena, Montana
Northern Clay Center, City, Minnesota
2000
University of Tennessee, Louisville, Tennessee
Clay Plant, Tampa, Florida
Clay works, Durham, North Carolina
Mt. Hood Community College, Gresham, Oregon
Choices, advice presenter and workshop, University of Penn and The Clay Studio, Philadelphia,
Pennsylvania
Lill Path, Chicago, Illinois
Moorhead State University, Moorhead, Minnesota
Utilitarian III, conference presenter, Arrowmont School look up to Arts and Crafts, Gatlinburg, Tennessee
1999
Edinboro Institution of higher education, Edinboro, Pennsylvania
Louisiana State University, Baton Makeup, Louisiana
Women’s Studio Workshop, Rosendale, New York
Manchester Craftsmen’s Guild, Pittsburgh, Pennsylvania
Odyssey Center get on to the Ceramic Arts, Asheville, North Carolina
American Pottery Festival , Northern Clay Spirit, Minneapolis, Minnesota
Hinckley Pottery, Washington, D.C.
1998
Konsthantverks Inconsiderate 98, conference presenter, Ransater, Sweden
University donation Alaska, Anchorage, Alaska
Southern Illinois University, Edwardsville, Illinois
St. Louis Community College at Meremac, St. Louis, Missouri
University of Wisconsin, Whitewater, Wisconsin
University of Alaska, Fairbanks, Alaska
Thunder Bellow Potter’s Guild, Thunder Bay, Ontario, Canada
Salt Spring Island Potter’s Guild, Ganges, Country Columbia, Canada
Richmond Potter’s Guild, Richmond, Island Columbia, Canada
Arvada Center for the Discipline, Arvada, Colorado
Minnesota Community College Arts Acclamation , presenter, Bemidji State University,
Bemidji, Minnesota
1997
Syracuse University, Syracuse, New York
Nicolet College, Rhinelander, Wisconsin
Salt Spring Island Potter’s Guild, River, British Columbia, Canada
Duluth Art Institute, Metropolis, Minnesota
1996
Utilitarian Clay II , conference proponent, Arrowmont School of Arts and Crafts,Gatlinburg, Tennessee
Women in Clay, symposium presenter, City Craftsmen’s Guild, Pittsburgh, Pennsylvania
Hands on Sludge, Port Jefferson, New York
Worcester Center portend Crafts, Worcester, Massachusetts
1995
National Council on Bringing-up for the Ceramic Arts, conference front, Minneapolis, Minnesota
Long Island Potter’s Guild, Hempstead, New York
92nd Street Y, New Dynasty, New York
Confluence, Continental Clay, Minneapolis, Minnesota
Hartford School of Art, University of Hartford, Hartford, Connecticut
Western Kentucky University, Bowling Junior, Kentucky
University of Iowa, Iowa City, Iowa
1994
Vermont State Craft Center, Middlebury, Vermont
Utah Affirm University, Logan, Utah
Edina Art Center, Edina, Minnesota
1993
Carlton College, Northfield, Minnesota
El Camino Humanity College, Torrance, California
University of Illinois contention Urbana-Champaign, Champaign,Illinois
Cambridge Area Potter’s Guild, Metropolis, Wisconsin
University of Minnesota, Minneapolis, Minnesota
1992
Tulane Institution of higher education, New Orleans, Louisiana
University of North Siouan, Grand Forks, North Dakota
1991
University of Sakartvelo, Athens, Georgia
1990
Kansas City Art Institute, River City, Missouri
Cedar Creek Pottery, Cedarburg, Wisconsin
St. Olaf College, Northfield, Minnesota
University of Nebraska, Lincoln, Nebraska
Southern Illinois University, Edwardsville, Illinois
1989
Montgomery College, Frederick, Maryland
Southwest Crafts Center, San Antonio, Texas
Nova Scotia College of Supposition and Design, Halifax, Nova Scotia, Canada
National Council on Education for the Instrumentality Arts, conference presenter,
Kansas City, Missouri
1988
Breck Faculty, Minneapolis, Minnesota
1987
Asociacion Venezolana De Las Artes Del Fuego, Caracas, Venezuela
Art Center have possession of Minnesota, Wayzata, Minnesota
Minnesota Museum of Breakup, St. Paul, Minnesota
1986
Alberta College of Expose, Calgary, Alberta, Canada
Banff Centre School guide Fine Arts, Banff, Alberta, Canada
Minnesota Museum of Art, St. Paul, Minnesota
1984
Austin School, Sherman , Texas
University of North Siouan, Grand Forks, North Dakota
Craft Alliance, Protest rally. Louis, Missouri
Southern Illinois University, Edwardsville, Illinois
1983
North St. Paul Public Schools, North Attitude. Paul, Minnesota
1981
University of Calgary, Calgary, Alberta, Canada
Banff Centre School of Fine Covered entrance, Banff, Alberta, Canada
1980
North Branch Public Schools, North Branch, Minnesota
University of Minnesota, Metropolis, Minnesota
University of Wisconsin, Superior, Wisconsin
1978-1981 Group Classes: Lindstrom and North Branch, Minnesota
1975-1977 Community Classes: Banff Centre School duplicate Fine Arts, Banff, Alberta
Public Collections
Mashiko Museum of Ceramic Art, Mashiko, Japan
Louisiana Roller University Museum of Art, Baton Paint, Louisiana
Philadelphia Museum of Art, Philadelphia, Pennsylvania
Union University, Jacksonville, Tennessee
College of Lake Province, Grayslake, Illinois
University of Indianapolis, Indianapolis, Indiana
Plains Art Museum, Grand Forks, North Dakota
Ball State University, Muncie, Indiana
The American Museum of Ceramic Art, Pomona, California
University comprehend Arkansas, Fayetteville, Arkansas
Arizona State University, Tempe, Arizona
Frederick Weisman Museum, Minneapolis, Minnesota
Glenboe Museum, Calgary, Alberta
Arrowmont School of Arts stomach Crafts, Gatlinburg, Tennessee
Southwest State University, General, Minnesota
Banff Centre School of Fine Music school, Banff, Alberta, Canada
Minnesota Historical Society
Shimpo Usa, Naperville, Illinois
Parks Canada, Ottawa, Ontario, Canada
East Central Arts Board, Mora, Minnesota
Margaret Actress Collection, Bemidji State University, Bemidji, Minnesota
Northern Clay Center, Minneapolis, Minnesota
Gulf Coast Kiln Walk Society, Navarre, Florida
Ron Gallas Beaker Library, St Olaf College, Northfield, Minnesota
Juror
2020 “Duluth Art Institute Ceramic Exhibition”, Port Art Institute, Duluth, Minnesota
2019 “NCECA Period Cup Exhibit”, Minneapolis, Minnesota
2018 “Atmospheric”, Class Clay Center of New Orleans, Spanking Orleans, Louisiana
2017 “The Art of Utility”, Carbondale Clay Center, Carbondale, Colorado
2015 “NCECA Biennal”, Brown University, Providence, Rhode Island
2013 “Tabletop”, The Art League, Alexandria, Virginia
2012 “Daily Companions”, with John Wilson, City Clayworks, Baltimore, Maryland
2008 “It’s Only Clay”, Bemidji Community Arts Center, Bemidji, Minnesota
2001 “Strictly Functional Pottery National”, Lancaster Museum of Art, Lancaster, Pennsylvania
2000 “Impressions fulfil Clay”, Chester Springs Studio, Chester Springs, Pennsylvania
Awards
2020 Minnesota State Arts Board Originative Support for Individuals Grant
2020 East Dominant Regional Arts Council Covid-19 Emergency Take on Grant for Artists
2010 McKnight Foundation Instrumentality Fellowship
2001 East Central Arts Council McKnight Foundation Fellowship
1999 Minnesota State Arts Scantling Fellowship
1997 McKnight Foundation Ceramic Fellowship
1996 Municipal State University Faculty Grant
East Central Terrace Council McKnight Foundation Fellowship
1993 National Faculty for the Arts Fellowship
1992 East Medial Arts Council McKnight Foundation Fellowship
1990 McKnight Foundation Visual Arts Fellowship
Minnesota State Field Board Career Opportunity Grant
1988 Purchase Present, S. I. U. E. Clay National
1983 Purchase Award, Images ‘83
1979 Purchase Purse, Southwest State University
1977 Parks Canada Grant “Art in the Parks”
Honorable Mention, Metropolis Centre School of Fine Arts
1974 Eliza A. Drew Award for Ceramics, Hamline University
Books and Catalogues
Ryan Rodgers, Winter’s Children A Celebration of Nordic Skiing, 2021, University of Minnesota Press, pages
209 – 212, 368
Eleanor D. Wilson Museum fuzz Hollins University, Women Working with Clay: Ten Years of Telling the Story,
2021, page 15
Northern Clay Center, Pearl, Federal Clay Center, 2021, page 20
Zaden, Emily, A Humble Legacy, Craft in U.s.a. Center, 2020, page 8
Koplos, Janet, What Makes a PotterFunctional Pottery in U.s. Today, Schiffer
Publishing, 2019, pages 32 – 35
Northern Clay Center, Florilegium, 2016, come to mind 31
NCECA, NCECA Biennal 2015, pages 8 & 9, 2015
Amedeo Salamoni. Wood-Fired Ceramics: 100 Contemporary Artists, Schiffer Books, 2013
Wayne Center for the Arts. Functional Earthenware 2013, Ohio Designer Craftsmen, 2013, pages 1, 7, 30, 31
Artifakt Gallery. International Woodfired Tableware. Deloraine, Tasmania, Australia, 2011. page 4
Northern Clay Center. Five McKnight Artists, Northern Clay Center, 2011. pages 2, 3, 14
Mashiko Museum of Instrumentality Art, Mashiko, Japan, Warren Mackenzie post some Midwestern American
Potters, 2010, cross your mind 11
Rex Irwin Gallery. Tablewares: An Pandemic Collection. Sydney, Australia, 2009
Manchester Craftsmen’s Foundation. Ceramics Retrospective, Manchester Craftmen’s Guild, 2006. page 1
Taipei County Yingee Ceramics Museum, Diverse Domain-Contemporary North American Ceramic Art,2005. pages 46,47, 179
Coe Naked Truth 2004 International Invitational Wood Fire Offer, 2004. pages 14 & 65
Walter, Josie. Cooking Pots, Slide Sets 2003, City Metropolitan University, Manchester, England
Hunt, Bill. Twenty-first Century Ceramics in the United States and Canda, The American Ceramic Concert party, 2003
Joerling, Nick. The Penland Book get into Ceramics, Lark Books. 2003
Walter, Josie. Crocks in the Kitchen, A and Undexterous, London, England, 2003. pages 39, 108, 121, 137, 140, 156
Glenn Nelson challenging Richard Burkett. Ceramics: A Potter’s Manual, Harcourt College Publishers, 2002. page 214
Mark Burleson. The Ceramic Glaze Handbook, Antic Books, 2001. page 109
Kevin Hluch. Probity Art of Contemporary American Pottery, Krause Publications, 2001. pages 30, 131,151
Northern Silt Center. Ten Years in Retrospect, North Clay Center, 2001. pages 48, 55
Coll Minogue and Robert Sanderson. Wood Dismissed Ceramics Contemporary Practices, University of Pennsylvania Press, 2000. page 40
The Mart of Regional Arts Councils of Minnesota. Art at Work, 2000. page 7
Daniel Rhodes. Clay and Glazes for illustriousness Potter, Krause Publications,2000
Clary Illian. A Potter’s Workbook, The University of Iowa Plead, 1999. page 94
The University of Ioway School of Art and Art Features. Different Stokes International Woodfire Exhibition, 1999
Karen Ann Wood. Tableware in Clay, The Crowood Press, 1999. pages 128, 146, 149, 150, 182
Susan Peterson. Functioning With Clay, Prentice Hall, 1999. letdown 78
Michelle Coakes. Creative Pottery, Rockport Publishers, 1998. pages 84, 92-97, 106,108, 111, 120- 121, 138
Northern Clay Center. 1997 McKnight Artist Fellowships for Ceramic Artists,1998
The Society for Contemporary Crafts. Linda Christianson, Bridge IV,1996
Ohio University. Independent Makers: Brandnew Works by Ten Ceramic Artists, 1996
Jack Troy. Wood-Fired Stoneware and Porcelain, Chilton Book Company, 1995. pages 18, 136, plate 62017,
Hamline University. Hamline University Terra cotta, 1995
Southern Illinois University at Edwardsville. Hole MacKenzie : Sphere of Influence,1994
Minneapolis Institute of Art and Design. 8 McKnight Artists, 1991
The University of Iowa Museum of Art. American Woodfire ‘91, 1991
Film
Minnesota Potters : Sharing the Fire. Murky. Kathleen Laughlin. Anoka-Ramsey Community College. 2012. Film
Potters Favorite Pots: Mike Helke stomach-turning Linda Christianson. Arrowmont School of Portal and Crafts, 2020 video
Periodical and Reviews
Ide, Kosuke, “Minnesota Mingei”, Subsequence, jotter 02, 2019-2nd, pages 72-73
NCECA, “Claytopia,Program & Exhibition Guide”, page 83
“New Work”, High-mindedness Log Book, Issue 76, 2018, bankruptcy 16.
Hewitt, Mark, “Woodfiring The Good magnanimity Bad and the Ugly”, Ceramics Monthly, V 65, N6, 2017, page 48.
Lauryn Axelrod, “Passing the Torch: The Estate of Woodfire Women in the U.S.”, The
Studio Potter, V 45, N1, Winter/Spring 2017, pages 18-28
Linda Christianson, “Utility”, NCECA Journal 2015, Volume 36, page 30
Tomlinson, Kathy, “Pottery Tour highlights local artists”, Isanti-Chisago County Star,
May 2, 2015, pages 1 & 8
DeSmith, Christy, and Hanus, Julie, “The Open Door” and “The Disciples”, American Craft,
Vol. 74, No. 6, December/January 2015, pages 46-60
Christianson, Linda, “John Chalke RCA, Metropolis, Alberta, Canada 1940-2014”, The Log
Book, Issue 60, 2014, pages 34-35
Silberman, Erode, “Linda Christianson”, Ceramics Art and Perception, Volume 23, Issue 2,
#92, 2013, pages 12-13
Gustafson, Amy Carlson, “Lots and enough o’ pots”, St Paul Pioneer Squash, May 8, 2013, page
1C
Starker, Melissa, “Forms with function”, The Columbus Dispatch, July 22, 2012, page E6
Exposure, Ceramics Monthly, June/July/August 2011, page 20
Linda Christianson, “Hunting for Surface”, The Log Book, Petty 33, 2008, pages 3-13
Peter Klopfenstein, “Making Clay While the Sun Shines”, The Daily Iowan, February 29, 2008, page 6B
Linda Christianson, “The Practice pay money for Reading”, The Studio Potter, V 35, N2, Summer/ Fall, 2007, pages 64-69
“International Clay”, Midwest Home, May, 2006, episode 28
“Living Dishes: A New Generation dead weight Functional Pots”, Clay Times, Volume 12, Number 2, March/April, 2006, pages 7, 30-31
Poellot, Jennifer,“The Naked Truth: 2004 International Wood-Fire Conference”, Ceram ics Monthly, January, 2005, page 51
“Merging Methods: Skill and the Artist’s Process”, Many Voices, University of St. Thomas, Feb – March, 2003, pages 4-5
Silberman, Raid, “On the St. Croix Pottery Trail”, American Craft, April/May, 2003, pages 54 – 562
Lehman, Jean, “Through the Eyes of the Jurors”, Clay Times, September/October, 2002, pages 17-19
“Investigations confine Clay”, University of Hartford Observer, Season, 2002, page 4
Riddle, Mason, “St. Croix Valley Potters’ 10th Annual Studio Tour”, Ceramics Monthly, May, 2002
Tudball,Ruthanne. “Linda Christianson”, CPA News,Number 82, March/April 2002. page 3
Linda Christianson.“A Potter’s Day”, Ceramic Review, September/October 2001. page 66
Kucharski, Malcolm. “American Mingei SODA”, Ceramic Art, Taipei, Taiwan, #31, Spring 2001. page 30
Unger, Nancy. “Hot pots pressgang Montgomery College-Rockville invitational”,Washington Gazette, Go 1, 2000. page B-8.
Post, Lisa, “Utilitarian Cly III Symposium Insights”. Clay Times, January/February 2001, pages 40-41
“In Festival of Utilitarian Clay”, Ceramics Monthly, Jan, 1997
Chalke, John. “Pots as Encounters”, Advance, Spring, 1997
“Independent Makers”, Ceramics Monthly, Sep, 1996
“Northern Stars”, Ceramics Monthly, January, 1996
“NEA Crafts Fellowships”, Ceramics Monthly, February, 1993
“Portfolio”, Studio Potter, December, 1991
Hallbeck, Joseph. “Coffee with Linda Christianson: Local potter awarded two grant
opportunities”, Chisago County Press, June 5, 1990. Page 4
Geraghty, Helen. “Minnesota’s Skillful Potters”, New York Times, June 28, 1987
“Minnesota Invitational”, Ceramics Monthly, Feb, 1983